Submit Your Music
Please send us your track with your artist details. Our team curates songs that fit upcoming film projects.
 

Get Matched to Films
When your song is chosen, we license it directly to the filmmaker; no upfront payment is required. No middlemen.
 

Earn Royalties
You receive your fair share of royalties from every film that uses your music. Royalties are split.
 

Gain Exposure
Build your portfolio with real film credits and exposure to new fans. Your placements can even appear on IMDb and soundtrack listings.

 No upfront fees. No gimmicks. No empty promises.
Just real music in real films.

Submit your music today and start your journey from studio to screen.

Your song could be the next unforgettable soundtrack moment.

Film and television don’t just feature music — they create careers, revive catalogs, and generate long-term income that touring and streaming alone often can’t.

Here are real, undeniable examples:

Kate Bush – “Running Up That Hill”
After appearing in Stranger Things, a 37-year-old song:

• Hit #1 globally
   
• Generated millions in new revenue
   
• Introduced her music to an entirely new generation
  No new album. No tour. One placement.
   

Moby – Album Play
Nearly every track was licensed to films, TV shows, and commercials.

• Became one of the best-selling albums of all time
   
• Moby has openly said sync licensing funded his career
  This is the blueprint.
   

Nick Drake – “Pink Moon”
Virtually unknown during his lifetime.

• Rediscovered decades later through film and TV placements
   
• His catalog now generates millions annually
  Film didn’t just expose his music — it resurrected it.
   

Gary Jules – “Mad World” (Donnie Darko)
A quiet cover placed in the right film:

• Became a global hit
   
• Outsold many mainstream pop releases
   
• Still earns sync revenue decades later
   

The Fray / Snow Patrol – Grey’s Anatomy
Both bands saw massive spikes in:

• Album sales
   
• Radio play
   
• Touring demand
  TV didn’t help — it launched them into the mainstream.
   

Sia
Before pop stardom, Sia was:

• Making serious money from sync placements
   
• Writing and licensing music for films and TV
  That income gave her leverage, freedom, and longevity.
   

Streaming pays fractions. Touring burns money.
Film and TV placements pay real checks, build legacy exposure, and work while you sleep.

If your music fits a scene, a moment, or a story —
it belongs on screen.

That’s not hype.
That’s how careers are actually built.

 There is no fee to submit your music. We do not charge artists to be listed or reviewed. Instead, we partner with you to get your songs placed where they can make the most significant impact.

When your track is selected, you get credited in the film and earn exposure every time it is streamed, screened, or broadcast. You keep ownership of your song. We handle licensing and royalty tracking on your behalf.

 Filmmakers want authentic music.
Artists want real listeners.

We make that connection happen. Every placement helps artists get discovered and gives films a soundtrack that feels genuine.